Tuesday, 22 December 2009

Evaluation

In what ways does your media product use, develop or challenge forms and conventions of real media products?
As I detailed in this post, short films tend to adhere to certain codes and conventions such as, for example, tending to have a plot twist at the end. For our production we tried to keep to these codes, this (hopefully) can be seen in our film where the main protagonist finds that instead of everybody else going backwards, it was actually him all along.
We found it fairly hard to locate films that shared a similar narrative to ours, possibly because our final idea was an amalgamation of two ideas that had already been derived from other ideas.
Our film has tried to follow Todorov's narrative theory (Equilibrium - at the start where the main protagonist is getting up and is unaware that anything is wrong. The disequilibrium occurs when he sees other people going backwards and gets confused. The recognition of the disequilibrium occurs when he speaks to the Blue Man who explains why it all is happening and as he finishes speaking everything rewinds back to the start to create a new equilibrium.
To provide further exposition to the audience, ideally we should have included footage at the end showing that everything had returned to normal (for example by including footage of him seeing people walking forwards instead).
How effective is the combination of your main product and ancillary texts?
As part of the specification, we had to design and create two ancillary texts and we chose to do the film poster and the magazine review.
The magazine review itself wouldn't usually be linked to the film production company (unless is was part of a larger conglomerate).
The poster on the other hand is one of the film industries biggest forms of advertising, being located on billboards, buses, trains, in the cinemas themselves and even (in some cases) on whole buildings. Some films have developed upon the traditional poster by making them 3-D! Or even making large models to advertise them (anyway, I digress).

Ancillery Text 1 - The Magazine
I think the combination of our magazine and our main product works well, despite the things pointed out above (about magazines not usually being tied in with the film itself.
The content of the magazine fits our target audience and also gives good background information on the filmakers and other aspects surrounding the film, like real magazines.


Ancillery Text 2 - The Poster
For our poster, we decided it would be good to have both the main characters taking up most of the space. This was to show the audience that these would be the two main charactersthat they would be seeing throughout the film. We also decided that only showing half of each of their faces would suggest that there are two sides to each, however, one side will be seen more than the other for example, Gordon's more depressed side will be the focus of the story. The title was done similarly to the teaser poster as in we decided to reverse the title and the tagline and fade it a bit. This was done to signify that something is going backwards (in this case it's everybody but the main protagonist).
The medal in the middle having a slight glow around also provides anchorage to this object being the magical item in the narrative (refering to Propps Narrative Threory). The fact that the medal is located fairly centrally signifies that it will have some relevance to the narrative. Both the characters have the name of the actor that played them underneath, they also both have the word 'introducing' above their name to show that they are both unknown actors. This is generally the case for most short films as a lot of companies tend to try get new talent each time they make a film to diverse themselves and also give actors a better chance of getting into film.

We chose to have the Guardian review us as they are more typically artistic and critical in what they view. Also being slightly mire upper class then some papers such as The Mirror and The Sun we thought they would be more likely to review a short film. We chose for them to give us 4 stars as it shows that we aren't too modest about ourselves, but also generally a 4 star would be given to a film made of an introductory cast to show that the actors have potential. This is another reason why we chose Empire as well. They will generally review big films of cinema rather than small films as their market is 15- 35 demographic and also middle-working class where they may not be as bothered about small films. However, they do tend to look into short films a little bit to widen their audience appeal and bring in other classes of society which means they select which short films they will look at more carefully, which means they would believe our film to have Potential. However, through feedback, we thought it would probably be better to avoid putting Empire on because the film is a first time, and probably wouldn't have enough hype for them, therefore we replaced it with a comment which was a view on our film. This is much more realistic as independent films will generally not get as many reviews from big names, but will get quite a few comments from small time, maybe big time critics.
For our tagline, we decided to change it from what it was in the teaser poster to what it is now in the main one. We though 'Time to take a step back' didn't reflect the narrative of the story enough where as 'Ever feel like living life in reverse?' does,a s it shows that the character will obviously have their life turned backwards at somepoint in the story, which shows the audience that this film wont be normal one.
Due to feedback, we changed our two main images. This was also because the narrative had slightly changed. This meant the school no longer had any significance in our film, and wouldn't work as the centre piece of the poster. Also the title was a bit bland so we changed it to being gradient to blue, which also fitted with the framing of the blue man. The picture of Ben Gibson had to be changed also, since he was no longer Gordon.

What have you learned from your audience feedback?
We have learned a lot from our audience feedback and it is this that made us change things throughout production, starting right after we showed the initial animatic to the class (a group of about 10-15 17/18 year olds).
Initially, people were doubtful as to whether we would be able to produce a film which incorporated the backwards elements but we knew that we had the tools and skills to be able to make the video track go backwards. This did mean that we had to reduce the amount of dialogue as that would be very hard to do in reverse.
After we'd finished filming the first initial waking up/getting ready scenes we and the audience noted various things, such as:
There was a slight bump in the camera when tracking the main protagonist down the stairs,
You can see the blue man stand up when the main protagonist takes the bowl out of the microwave (you are supposed to see his reflection but not him standing up)
On the whole, the introduction needed a soundtrack to cover it.
We listened to this feedback and although we couldn't find the extra time to do a re-shoot we tried to edit it so that they were less obvious. I did record a soundtrack though at home. The soundtrack had a sort of jazzy/lazy morning feel to it which doesn't alarm the audience who don't think anything is wrong.
After completing the rest of the filming, the feedback that we received was that when the Blue Man was speaking, it was very hard to hear what he was saying. Some people said that it he would be better as a mute, and speak backwards instead if at all. However, we were not able to re-film and devise a new screenplay in time so instead we dubbed over the blue man (which would work easy since you can't see what he's saying anyway due to the Morphsuit. We had also added music over the ending re-wind and credits which the audience said worked very well.
Slightly less noticeable to the audience was the jump in the music when the main protagonist enters the school, this is due to the fact that the soundtrack that I made was slightly too long but I think that, due to some careful editing, it blends in seamlessly.
Other feedback given to us by our teacher included that, at the moment, our films twist is very weak and doesn't create the reaction we intended therefore including all this should make it more creepy.

How did you use new media technologies in the construction and research, planning and evaluation stages?
Throughout the production of the film we have been using varying new technologies to carry out different tasks.
For example, for the construction of the film itself we used various pieces of software on Apple Macs and Windows operating systems such as:
Final Cut Express - Mac (a lighter version of a full professional editing software)
Sony Vegas - Windows (another professional editing tool and the one which we did almost all of our editing on
LiveType - Mac (an additional piece of software to Final Cut which allows the user to create advanced opening titles, we used this for the opening "One Step Back" title
iDVD - Mac - to burn the final cut onto DVD.
For the poster we used:
Adobe Photoshop (Mac and Windows) and its many tools to produce the final logo and for the magazine we used Microsoft Publisher (Windows).
To capture the actual film we used a digital camera using a DV tape. Although using a tape doesn't seem very digital (especially when there are many camcorders that use varying types of memory card nowadays) it actually can be imported straight to the computer by the use of a DV to Firewire cable.
Throughout production I used Safari (Mac) and Mozilla Firefox (Windows) to keep my blog up to date.
For the research stage I used different websites (such as IMBD) to look up information and YouTube to look at existing short films in order to check out the existing codes & conventions.
To create the soundtrack I used some home digital recording software (as detailed here). This is a great example of how modern technology has changed how things are done. Back in the 1960's and for a while afterwards, the only way to record was to record on to tape and every new track would require a new tape and although some artists (such as The Beatles) drove technology forwards in their need for more tracks, it wasn't until later that computers were used. The introduction of this new technology means that an artist can use a virtually unlimited amount of tracks to create a better overall music product.

Ancillary Text 2 - Theatrical Poster



The poster was designed in Adobe Photoshop CS4 and I used a variety of tools in its production including the lasso tool (with a feather of 50px), the eraser tool, the clone stamp tool, the text tool and some colour adjustments.
The poster was designed to show both the main characters and the theme of the film (clock to reflect the backwards-ness and the medal is one of the main objects in the film).
The text at the top of the image refers to me and my partners AS coursework.
The blue man image is re-used from the initial teaser poster but for the main protagonist (me) I decided to enlist the help of my mother and she took the photograph of me using my Canon EOS 350D camera.
I added the production logo which had been made earlier in production in photoshop and the reviews to make the poster look more professional
The white to blue fade was done upon audience feedback to reflect the contrast between the main protagonist and the blue man.
For this I decided to use areal film review bodiy, the newspaper 'The Guardian'.
The BBFC age classification was chosen to represent the minimum age of the target audience.

Ancillary Text 1 - Magazine Review

One Step Back

Final Cut

This is the final cut of our media production.

Thursday, 17 December 2009

New Rough Cut

The new rough cut based on the new ideas and also the audience feedback recieved since is below.


General Feedback that we gained was:
- We still needed to make clear that the father is dead
- Some sounds do not fit e.g. Thump for Shocked little boy, and when dropping medal.
- Father is very quiet

Changes due to Feedback
We will add in a voice over at the beginning and tweek the sound levels of certain parts.

Friday, 11 December 2009

Rough Cut ......

Below is a rough cut of out film, One Step Back.Any comments or criticism is welcome

It is clear to see that certain films have influenced this such as Shaun of the Dead.

Monday, 30 November 2009

Sunday, 29 November 2009

Screenplay

This is the screenplay for our short film:

One Step Back Screen



The original screenplay from before the major changes is below.



One Step Back Screen

Tuesday, 24 November 2009

Monday, 23 November 2009

Ancillary texts ideas & research

As part of our
coursework, we have to include two ancillary texts.
For our coursework we have chosen to do:
a poster for the film
and
a film magazine review page featuring the film

Our poster will most likely be produced in Adobe Photoshop and the film magazine review page in Microsoft Publisher.

We will produce the ancillary texts after we have finished our main production as you can't review a film that hasn't been made and the main poster needs to be relevant to the film, for example, you can't include things on the poster that won't be in the final production in case things change (cast members changing etc.)

I have a basic idea for the film magazine review page based on the main review style of the magazine Empire.
This includes a large picture/screencap for the top half of the article with the main review in the bottom half. The bottom half of the page contains the article itself as well as

Production Schedule

A production schedule has been uploaded by my partner, Sam Thomas, for this week.

Schedule for Filimg height="500" width="100%" > value="http://d1.scribdassets.com/ScribdViewer.swf?document_id=22967173&access_key=key-28xta5d6f993hshh50xf&page=1&version=1&viewMode=list">            

This has been made to give us both an idea of where we should be in the filming process and takes into accounts dates when we are not available.

Sunday, 15 November 2009

Casting/Costume

All casting has been sorted and organized by me and my partner, Sam Thomas.
The costumes have been/will be organised by Sam.

There will be two protagonists in our film. The rest of the cast will be filled up with extras which have been sorted out as friends and other actors have agreed to help out where-ever they can.

One of the protagonists will be the 'Blue Man'/dad. . He will be portrayed by my partner, Sam Thomas in the blue suit and my father, Nick White, as the older/father character and will be dressed in a work-style uniform (white shirt, black ties, working trousers, black shoes blazer and a hat) over a blue Morphsuit.
He is too look like a busy business man, with not much time on his hands and will be holding a newspaper under his arm.


Our main protagonist will be portrayed by me, Sam White. I haven't really had much acting experience before (except for in my AS coursework film) but I'm confident that I will be able to pull it off (even the walking backwards) I am of a normal stature and is what we see as the average teenage boy. He is 17 years old and is middle class.
The costume for this character will be basic clothing. He will most of the time just be wearing a leather coat, jeans and a t-shirt.

Thursday, 12 November 2009

Soundtrack


The soundtrack for the film will be almost, if not entirely composed by me and my partner, Sam Thomas.
We will be using the Garageband software. We both attended a workshop on composing music in Garageband at the recent Coop Young Filmmakers Festival.

I recorded the music for the film by initially making a drum track out of loops in Garageband at school.
I then took this home and played around on guitar trying out different chord sequences until I was happy with them.
When I was ready to record I used a program called Tracktion and imported the drum track into there before using a piece of hardware called a Stealthplug to record the lead, rhythm and bass guitars over the top, using another piece of software called Amplitube to apply filters for different sounds.
The product of this resulted in a song which we felt wouldn't really fit in our own production but which was donated to a fellow student, Holly Davy.
Our own production required a slower sort of track so I went back into Garageband and made a slower, more jazzy drum track before settling on just using bass for a more lazy "just woken up" feel.

Monday, 9 November 2009

Thursday, 5 November 2009

Genre Research

The genre that we decided to do was an action/thriller/comedy hybrid.
There is a list of various comedy/thriller hybrids here.
Films like Hot Fuzz and Bad Boys are examples of action/comedy films.

Family Guy and Robot Chicken are examples of TV shows like this, albeit animated.
After watching these two shows(of similar creators[Seth green is the man behind Robot Chicken but also stars in Family Guy as Chris Griffin, and Seth Macfarlane will also take part in Robot Chicken at times e.g. P.S I love You S4EP1]) we noticed that random actions add good comedy effect e.g. Random man on fire come on screen screaming for a split second.
Having distorted physics also tends to make things more of a comedic value as well e.g. in Family Guy when people fall off something, they will hit the floor instantly, with a loud thud.

Donnie Darko - Richard Kelly - 2001
This film has a few elements we would like to take into our film.
The film is based around the main protagonist (Donnie Darko) seeing an invisible character, but is seen by him and no one else. This invisible character also has a disturbing/weird look to it which can cause unease in a way to the audience.
Camera shots in this film portray the attitude and atmosphere of the main protagonist very well which we feel would work rather well in our film as well.

A book we found that is useful for Genre Research is Film Genre Reader by Barry Keith Grant (ISBN -978-0-292-70185-4)

The idea for the mysterious blue man in the background of some shots came from the PC game Half Life/Half Life 2. In the game the character, called G-Man, is constantly seen in the background of scenes and then mysteriously disappearing again.

Monday, 2 November 2009

Hardware

The main video camera that we will be sing for our production will be the Canon MV920.
Specifications can be found here.
It has a 25x optical zoom and an 800x digital zoom which would be useful providing you have a tripod to hold the camera steady, which we do.
The camera has a built in microphone which is good in that t doesn't necessarily require an external mic but for some scenes (such as outdoor scenes) the mic tends to be affected by interference, as I found during my AS coursework.
To counter this, the media department has purchased a RØDE microphone and accompanying boom to form a boom mic. Although this will probably require more crew to use it will surely benefit the production in the long run.
The editing will take place on Apple Macs and

Wednesday, 21 October 2009

Teaser Poster


This is the initial teaser poster that we designed for our film.
It gives clues to the narrative (having things backwards) and the characters.
It also gives the address of the website for the film.


Tuesday, 20 October 2009

Target Audience



The age range we would be aiming for our target Audience would be 12/12a if not a PG. This because we won't be using explicit language, and if we do, there will be little andnot enouch to warrant a re-classification. The theme of the film isnt too disturbing but it wouldnt be understood as easily to a child audience. There is no sex witnessed in our film, nor violence or drug use.

The film will mainly be aimed at people of a secondary/high school age as the film itself is set in a school and it would be a familiar backdrop.

Our film is aimed at all ethnic minority's. There is no discrimination against either ethnicity however there are only Caucasian characters being used. However this is down to the school we are at being mainly Caucasian.


The gender of our film would be aimed at the male audience. This is because we havnt invested in using any female characters, and the main-protagnoists are male as well. However, we will incorporate the Female Gaze in our film by having either a topless man, or a short love scene, but these are not major plot points. With our film also being a Comedy genre, this will cross out the female audience as Comedy has been branded a more male film genre, the Rom-Com being totally different, but this hybrid genre has evolved into being completely on its own.

Our film will be aimed at C1C2(Middle Class) audience. this is because our characters will be of Upper/Middle class but the upper class will be victims of a mockery and from the view of a middle class character. Also the story may be too complex for a DE class or too boring. However there will be hints of the lower class which can draw them in as the character will be walking around town, through different areas.

Monday, 19 October 2009

Software

Most, if not all of the editing that will take place producing the film will be done in Apple's Final Cut Express 4.
We have chosen this program as it represents a step up from using iMovie last year with its wider array of editing tools and its ability to produce much higher quality work.
Me and my partner, Sam Thomas, also recently attended an "editing masterclass" using Final Cut Pro (a very similar program) at the National Media Museum, Bradford during the Cooperative Young Filmmakers festival.
We have a few books that we can also use as references in using Final Cut Express:
'Final Cut Express 4 - Movie Making For Everyone' by Diana Weynand (ISBN - 978 0 321 53467 5)
'Final Cut Express 4 - Editing Workshop' by Tom Wolsky (ISBN - 978 0 240 81077 5)


To produce music for the film we will be using Garageband.
In Garageband we will possibly use loops as well as some original recorded material (I have already wrtitten and recorded and instrumental demo of some original music).

To design the graphics (such as the posters) that we will be making during the production of the film we will be using Adobe Photoshop Elements 6 .

Locations

For our locations we decided we would need somewhere gothic to give the movie a more creepy atmosphere. We also needed it to be old fashioned as it would fit in with one of our characters in the film therefore we came up with these locations:

The school interior photo is an example of the general setting of the film.
The exterior photo will be used for the opening scenes of the film.

Sunday, 18 October 2009

Useful Resources

http://www.associatedcontent.com/article/270191/winning_a_short_film_festival_are_you.html?cat=59 - A nice article about how to organise yourself during pre-producition and the successful formulae of a short film.

http://www.filmradar.com/community/viewforum/6/ - A discussion forum for short films, part of a larger film forum site.

A book that we have which may be of use to us is 'Making Short Films' by Clifford Thurlow (ISBN-978 1 84520 804 2)

Analysis' of short films

Initial first detailed analysis.



Short film – Support @ http://www.youtube.com/watch?v=5_NrUKFhthQ

Video length – 1:40 (excluding credits 1:05 approx)

The film opens with a medium shot of a man who appears to be struggling on his hospital bed, the shot is shot by a handheld camera and is from behind an object as if somebody is watching the man on the bed. A heart rate monitor can be heard in the background signifying that the setting is a hospital.

It then cuts to a mid/close up shot of the mans face showing that he seems to be out of breath

It then cuts briefly to a close up shot of a drip dripping, further providing anchorage as to where the location is.

It then cuts to a long shot through a doorway showing the hospital bed and other items that further show that it is a hospital.

It then cuts back to the mid/close up of the man, still exhausted before cutting back to the first angle, the man is still struggling and seems to be trying to reach the heart rate monitor, the music here consists of a piano playing fairly sad/depressing chords

It then cuts to a close up of the mans face, still seeming to struggle before cutting to the heart rate monitors screen and then back to the first angle, with the man now seemingly grabbing for the life support machines plug

It then cuts to a close up of the plug being pulled from the wall, the last few shots were quick-pace editing.

It briefly cuts to a close up of the machine with lights flashing before cutting to a(n extreme) close up of the mans face, the heart rate monitor starts to beep increasingly before flat-lining, the man seems to be at peace and his eyes start to close and the beeping starts to fade.

Suddenly the man is woken up as his bed is knocked and the lights turn on as two doctors/nurses rush to the bed beside him, it then cuts to another close up of the mans face as he looks to the bed beside him

It then cuts to an aerial shot of the two beds showing a doctor trying to revive the other man with defribrilators

It then cuts to a close up of the man turning to his other side to see in shock that he has turned off the wrong machine

It then cuts briefly to the first shot again before cutting to a close up of the mans face.

The beeping continues as the credits roll.

Pound (2007/Evan Bernard)

  • 2 men from a ghetto area do an over the top "secret" handshake.

  • After finishing the first handshake they exchange a little bit of dialogue before they do another handshake.

  • After the second handshake is finished the main character walks round the corner and sees another friend, as they start to do the handshake the film cuts to black for the credits.

  • Same music track runs throughout the film
The Black Hole (2008/Phil and Olly)

  • A man looks bored in an office doing some photocopying when the copier prints out a big black circle

  • He puts it down to one side and then realises what it is.
  • He uses it to steal from a vending machine and then goes to a vault and starts stealing money
  • He tries to go too far in and the paper falls off the safe.
  • No music but there are office sounds throughout and the black hole also has a noise.
Paintballing (2007/Grant Orchard)



  • Animation of a big scale paintball fight
  • Last guy thinks he is the only guy left and so kills himself, a siren sounds shortly after to signal the end of the game and everybody else gets up.
Surprise (2008?/Ben Dodd)

  • Film noir style film in reverse of a man who is killed in a bathroom by being surprised by a cake.
  • Dramatic music runs throughout
  • A sort of Hitchcock style film.
Trapped In The Closet (2005/07/09/R.Kelly)

  • Series of short films set to music (a hiphopera) by R.Kelly
  • Set in a sort of soap opera style
  • Parodied by Weird Al Yankovic (Trapped In The Drive Thru)
Potatoes (2002/Matt Smith)

  • Spoof documentary about the origins of potatoes
  • Comedy
  • No music, just narration and some background noise.
This Is Slovenia (2007/Michael Frank)

  • Documentary about living on the border between Slovenia and Croatia
  • Music fits the theme and also plays throughout
Fallen Art (2005/Tomek Baginski)
  • A very strange film about a group of men who get their kicks from making art by making soldiers jump off a tower.
  • Most of the film is silent apart from the nonsense dialogue.
The Crusader (2008?/Gerard Monaco)

  • A spoof documentary about a man who thinks he is batman and tries to sue Warner Bros. for mis-represenation.
  • Black and White

Safety Procedures (2004/Richard Fenwick)

  • The safety cards on an airliner come to life.
  • Animation
  • Voice over of a flight attendant giving a safety brief.
Bus Kong (2008?/Ed Hartwell)

  • Animation about the Routemaster bus
  • Follows rough narrative of King Kong
  • Political themes?
  • Tense music runs throughout - seems disjointed
Average 40Matches (2007/Burkay Dogan)
  • Stop-motion film where matches come to life
  • Music runs throughout
Lucky (2007?/Nash Edgerton)
  • Man is trapped in boot of car going along desert road, gets out of boots and tries to stop the car
  • Good use of lighting when he is in the boot
  • Fast paced action
  • Use of SFX suggests higher budget
Happy Birthday (1999/Jorge Sandoval)
  • A father is giving his son a present for his birthday - the knowledge not to trust anybody
  • Has a powerful underlying message
Angel Eyes (2002/Mark Bethune)

  • Documentary about a stripper and her life and what her goals are for her and her son
  • Contains mild nudity
  • Music runs throughout - major key suggests positive spin on the story
Biclycle Messengers (2008?/Joshua Frankel)

  • Animated bicycle messengers go round a live action city (New York)
  • Music runs constantly under narration
  • Documentary style
  • SFX suggest higher budget than most short films.
  • Interesting shots used (such as when the camera goes out of the office window)
Last Train Ride (2005/Gokhan Okur)

  • Animation
  • Uses fairly dark colours (black, white, grey, reds)
  • Set to peaceful music which again runs throughout
  • No immediately clear narrative

Journey To The Moon (2006/Neil Gittins)

  • Animation
  • Abstract take of a journey to the moon
  • Set again to peaceful music
Immerse (2008/Anton Groves)

  • 3D animation
  • Looks like a group of futuristic underwater drilling machines
  • SFX suggests higher budget
  • Zooms out to be an ice cube in a drink showing that the machines were actually creating the bubbles.



A ? by the date indicates that I am unsure of the date the film was released.

Initial Summary of codes and conventions of short films


Codes and conventions of short films
Short films tend to be between a minute and 10 minutes although some can go up to 40 minutes (this is due to a difference between the North American definition of short film and the British definition.
Short films tend to take one or more aspects of a real life situation and alter it in a way that seems surreal.
They are usually made by independent filmmakers but some larger companies (such as Pixar) also create shorts.
Companies such as Future Shorts allow these independent filmmakers to expose their film to a wider audience.
They are usually accompanied by music that runs through the entire length of the film and this is usually by an indie artist.
Short films are usually directed at a younger audience but they don't tend to have gender boundaries.
Increasingly, documentary short films are being made to highlight particular causes (such as global warming or political problems)

Friday, 16 October 2009

Evaluation questions

The questions that I have to answer in my evaluation are:

In what ways does your media product use, develop or challenge forms and conventions of real media products?
How effective is the combination of your main product and ancillary texts?
What have you learned from your audience feedback?
How did you use new media technologies in the construction and research, planning and evaluation stages?

Thursday, 15 October 2009

Assessment Criteria

Each candidate will evaluate and reflect on the creative process and their experience of it.
Candidates will evaluate their work electronically. The format of the evaluation has some flexibility
and its form can be negotiated between teacher and student: it may take place with individual
candidates or with the production group as a whole, or each individual candidate or production
group may make a formal or informal presentation to the whole class.
The questions that must be addressed in the evaluation are:

In what ways does your media product use, develop or challenge forms and conventions of real media products?
How effective is the combination of your main product and ancillary texts?
What have you learned from your audience feedback?
How did you use new media technologies in the construction and research, planning and evaluation stages?

Level 1 0–7 marks
  • There is minimal understanding of the forms and conventions used in the productions.
  • There is minimal understanding of the role and use of new media in various stages of the production.
  • There is minimal understanding of the combination of main product and ancillary texts.
  • There is minimal understanding of the significance of audience feedback.
  • There is minimal skill in choice of form in which to present the evaluation.
  • There is minimal ability to communicate.
  • There is minimal use of digital technology or ICT in the evaluation.

Level 2 8–11 marks
  • There is basic understanding of the forms and conventions used in the productions.
  • There is basic understanding of the role and use of new media in various stages of the production.
  • There is basic understanding of the combination of main product and ancillary texts.
  • There is basic understanding of the significance of audience feedback.
  • There is basic skill in choice of form in which to present the evaluation.
  • There is basic ability to communicate.
  • There is basic use of digital technology or ICT in the evaluation.

Level 3 12–15 marks
  • There is proficient understanding of the forms and conventions used in the productions.
  • There is proficient understanding of the role and use of new media in various stages of the production.
  • There is proficient understanding of the combination of main product and ancillary texts.
  • There is proficient understanding of the significance of audience feedback.
  • There is proficient skill in choice of form in which to present the evaluation.
  • There is proficient ability to communicate.
  • There is proficient use of digital technology or ICT in the evaluation.

Level 4 16–20 marks
  • There is excellent understanding of the forms and conventions used in the productions.
  • There is excellent understanding of the role and use of new media in various stages of the production.
  • There is excellent understanding of the combination of main product and ancillary texts.
  • There is excellent understanding of the significance of audience feedback.
  • There is excellent skill in choice of form in which to present the evaluation.
  • There is excellent ability to communicate.
  • There is excellent use of digital technology or ICT in the evaluation.

Media/Film/Television

Level 1
  • Work likely to be unfinished.
  • There is evidence of minimal ability in the creative use of any of the following technical skills:
  • the ability to hold a shot steady;
  • framing a shot appropriately;
  • using a variety of shot distances as appropriate;
  • shooting material appropriate to the task set;
  • selecting mise-en-scène;
  • editing so that meaning is apparent to the viewer;
  • using varied shot transitions, captions and other effects selectively and appropriately;
  • using sound with images and editing appropriately.
  • Where a candidate has worked in a group, there is only minimal evidence of a contribution to
  • construction.

Level 2
  • There is evidence of a basic level of ability in the creative use of some of the following technical
  • skills:
  • holding a shot steady, where appropriate;
  • framing a shot, including and excluding elements as appropriate;
  • using a variety of shot distances as appropriate;
  • shooting material appropriate to the task set;
  • selecting mise-en-scène including colour, figure, lighting, objects and setting;
  • editing so that meaning is apparent to the viewer;
  • using varied shot transitions, captions and other effects selectively and appropriately for the task set;
  • using sound with images and editing appropriately for the task set.

Level 3
  • The candidate is expected to demonstrate proficiency in the creative use of most of the following
  • technical skills:
  • holding a shot steady, where appropriate;
  • framing a shot, including and excluding elements as appropriate;
  • using a variety of shot distances as appropriate;
  • shooting material appropriate to the task set;
  • selecting mise-en-scène including colour, figure, lighting, objects and setting;
  • editing so that meaning is apparent to the viewer;
  • using varied shot transitions, captions and other effects selectively and appropriately for the task set;
  • using sound with images and editing appropriately for the task set.
  • Where a candidate has worked in a group, a proficient contribution to construction is evident.

Level 4
  • The candidate is expected to demonstrate excellence in the creative use of most of the following
  • technical skills:
  • holding a shot steady, where appropriate;
  • framing a shot, including and excluding elements as appropriate;
  • using a variety of shot distances as appropriate;
  • shooting material appropriate to the task set;
  • selecting mise-en-scène including colour, figure, lighting, objects and setting;
  • editing so that meaning is apparent to the viewer;
  • using varied shot transitions, captions and other effects selectively and appropriately;
  • using sound with images and editing appropriately for the task.
  • Where a candidate has worked in a group, an excellent contribution to construction is evident.

Coursework Options

2. A promotion package for a new film, to include a teaser trailer, together with two of the following three options:
a website homepage for the film;
a film magazine front cover, featuring the film;
a poster for the film.

10. A short film in its entirety, lasting approximately five minutes, which may be live action or animated or a combination of both, together with two of the following three options:
a poster for the film;
a radio trailer for the film;
a film magazine review page featuring the film.


I will be doing the short film option for my A2 coursework because it would be a more interesting way of putting out an idea than a trailer which would be just a montage and not as emotionally brewing.

Monday, 12 October 2009

Final Idea

After we weren't satisfied with our initial film we decided to come up with a new narrative that would hopefully make more sense.

Based on feedback from our Target audience and teacher, it was clear that the narrative of our film wasnt clear. Therefore we have decided to pick a more current day issue.
The narrative now follows as that our main protagonist Gordon's father has recently died at war in the RAF. He now has an emotion attachment to one of his fathers medals. He wakes up, gets ready and heads out to the funeral which is today. His whole world is twisted upside down, and has literally gone backwards on him, and he notices that on the way to the funeral, there are lot of odd occurrences where people are going backwards. Over watching him is a blue man, in a suit with a black tie, but he never confronts Gordon. Gordon then comes into an alleyway where he starts to hold his medal and look at it thinking deeply. This stresses him out and ends up throwing the medal on the floor, and walks on. The blue man picks up the medal.
The next morning Gordon gets up as usual and goes into the toilet. He looks in the mirror shocked to find he is a young child. He sprints downstairs into the kitchen where he finds another note this time saying 'See you at the game son!'. He turns round and behind him is his father, in a white shirt and black tie, same as the blue man. Gordon leaps onto the father to embrace him.